Editorial Type:
Article Category: Research Article
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Online Publication Date: 01 Sept 2016

Revisiting Repertoire Transition: Women's Nakedness as Potent Protests in Nigeria and Kenya*

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Page Range: 323 – 340
DOI: 10.17813/1086-671X-20-3-323
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The influential work of Tilly and Tarrow on social movement repertoire transitions—moving from older, local, and episodic tactics to newer, national, and sustained tactics—has contributed significantly to the development of social movements theory. This article expands Tilly and Tarrow's theoretical framework by drawing on examples from Nigeria and Kenya. First, we examine the causal factors contributing to repertoire transitions in these postcolonial African countries, highlighting the importance of colonial state formation and social networks in changing repertoires. Second, we consider how the gravity and effectiveness of women's nakedness, used by mothers as a collective action tactic to shame those targeted, persisted and maintained its significance across tactical repertoire transitions, despite colonial repression. We argue that the continuance of tactics across repertoire transitions lies in their ability to maintain symbolic resonance, which simultaneously restricts the transmission of tactics to other locations.

Copyright: © 2016 Mobilization: An International Quarterly 2016

Contributor Notes

* We are grateful to Suzanne Staggenborg, Jocelyn Viterna, Brian Powell, Eran Shor, Judith Van Allen, and the anonymous reviewers and editors for their insightful comments and suggestions on the article.

Authors contributed equally and are listed in alphabetical order. Kathleen M. Fallon is Professor of Sociology at Stony Brook University. Julie Moreau is a Postdoctoral Fellow in the Department of Women, Gender, and Sexuality Studies at Washington University in St. Louis.

Please direct all correspondence to Kathleen M. Fallon, Department of Sociology, Stony Brook University, Stony Brook, NY 11794-4356.
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